A Gorgeous Whole I Never Was

A solo show by Ringo Lisko.

Lisko’s multidisciplinary practice calls into question the role of the body, its relationship with material, and the ways in which objects can become an archive of memory through bodily action. A Gorgeous Whole I Never Was, referencing Julietta Singh’s text No Archive Will Restore You, is a simultaneous search for human wholeness and an embrace of the multiplicity of the human condition, its pain and its hopes.

This exhibition took place at Automat Collective from August 3rd to August 31st, 2024.

SECONDARY CONTEXT

Co-curation with Kate Testa and Lou Serna.

At what point does the act of preservation tip into destruction? Human interventions that are meant to preserve can have the effect of eroding the understanding that was sought, and creating new meanings to those unfamiliar with their origins. 

Both Christina P. Day and Sam Whalen use layers of creative practice that accumulate like coats of paint in an old home. Whalen intentionally disintegrates her images, leaving us with transparent ghosts of the source materials, while Day reassembles the remnants of flooring into tributes of their former lives, and preserves sentimental fabrics in handmade vinyl encasements. Both artist’s works remain in a constant state of change, renewal, and degradation; embodying our human desire to grasp the ungraspable. Using these inverted methods, both artists arrive in the same realm, producing ethereal works that function as relics in a secondary context.

This exhibition took place at Automat Collective in Philadelphia from October 12, 2023 to December 2, 2023.

IMMORTAL

Interventions in Time

Why do humans cherish objects beyond the original context that they were created? Heirlooms, souvenirs, and collectables play an important role in the memories, moods, and identities of people across many generations and cultures. Through paintings, sculpture, taxidermy, and furniture restoration, the show, Immortal, explores some of the ways that we, as people, try to intervene in the natural process of decay, or loss, in order to disrupt our perception of time through objects. Featuring artists Divya Anantharaman, Caitlin McCormack, Celeste Morton, and Alexander O’Harro.

Automat Collective, Philadelphia, March 5th through April 2, 2022.

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In this co-curation with Tess Wei, seven artists: Emily Baker, Noah Furman, Samantha Herman, Carrie Ruddick, Steve Shaheen, Brandon Straus, and Ariel Tobing, broadly consider the landscape of preservation, culling ideas and materials from personal memories, collective archives and temporary or fluctuating spaces. The latitude of their inquiries is echoed in their materials, which include steel, moving image, marble, paper and salt dough. With varying degrees of gravitas, each artist offers their own scaffolding for how to keep, how to remember, and how to contextualize whatever may be fleeting or fading in our lives – impressions, industries, strangers.

Automat Collective, Philadelphia, April 2nd through Aprtil 29th, 2021